Inevitably, dictators channel their artistic disappointments into politics. Hitler, despite proclaiming a preference for ‘the magic power of the spoken word’ against ‘the syrupy effusions of aesthetic litterateurs’, once imagined himself a Viennese bohemian. Goebbels, who perfected the art form of propaganda, wrote a novel with expressionistic traits, while Pol Pot, educated in Paris, was an admirer of Verlaine’s Symbolist poetry.

OVDJE

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